Composers
Liszt
Rimsky-Korsakov
Mussorgsky
Prokofiev
Saint-Saëns
Richard Strauss
Holst
Smetana
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Programme music / Symphonic
poem
Music in which the composer describes
a topic from prose, poetry, or any non-musical idea.
Unlike absolute music, presented to the listener as it is, programme music
represents something external. The height
of programme music was the romantic period.
Liszt
was the first to offer a programme to his
work which is the guide to the symphonic poem (his own term for programme
music), rather than the sheer musical form. Beethoven
also attached descriptions and explanations
to his Symphony No. 6 "Pastoral",
yet he meant it as an effect rather than a real programme. Programme music
often presents a clear musical imitation of extra-musical elements (Rimsky-Korsakov's
"Flight of the Bumblebee"),
and sometimes only gives clues to the subject ("The
Sea" ("La
mer") by Debussy,
"Pictures at an Exhibition"
by Mussorgski,
"The Carnival of the Animals"
("Le Carnival des
Animaux") by Saint-Saëns).
Other known programme works are
Smetana's
"My Country"
("Ma vlast"),
Rimsky-Korsakov's
"Scheherazade"
and Holst's
"The Planets".
A leading 20th century composer
who brought symphonic poem to an unrivalled level of expressiveness was
Richard Strauss.
With works like the "Thus Spoke Zarathustra"
("Also sprach Zarathustra") and "Till
Eulenspiegel", he is considered to be
most important in this form.
Examples of programme works
'Also Sprach Zarathustra', Op.30
by Richard Strauss
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'Morning Mood' from 'Peer Gynt'
by Grieg
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'The Sorcerer's Apprentice'
by Dukas
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